Description
Waddell’s refined photographic explorations evoke his keen awareness about the poetics of space and the history of painting, while also walking the line between documentary and intimately personal visualizations. –Edward Burtynsky
For decades Vancouver photographer Stephen Waddell (born 1968) has reinvigorated street photography and reportage through keen observation and an empathetic eye for social subjects. Initially a painter and filmmaker, Waddell brings questions about the very notion of realism to picture-making. He often references pictorial histories, such as early photography or classical painting, acknowledging that observation is informed by recognition and an unconscious awareness of existing images.
Working with both analog and digital tools, Waddell’s highly considered approach involves experimenting continuously with new processes and materials. The subtlety of his photography is amplified by a painterly sensibility that emphasizes qualities of light. Illumination becomes a reference to photographic perception as well as to human vision. Consistent across his work are close affinities between a print’s subject matter and its material qualities.
For decades Vancouver photographer Stephen Waddell (born 1968) has reinvigorated street photography and reportage through keen observation and an empathetic eye for social subjects. Initially a painter and filmmaker, Waddell brings questions about the very notion of realism to picture-making. He often references pictorial histories, such as early photography or classical painting, acknowledging that observation is informed by recognition and an unconscious awareness of existing images.
Working with both analog and digital tools, Waddell’s highly considered approach involves experimenting continuously with new processes and materials. The subtlety of his photography is amplified by a painterly sensibility that emphasizes qualities of light. Illumination becomes a reference to photographic perception as well as to human vision. Consistent across his work are close affinities between a print’s subject matter and its material qualities.
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